Esther Teichmann’s photographs, films and writings, picture mothers like caves, sisters like seashells, lovers like moons, tears like waterfalls.

Entering the octopus darkness of Teichmann’s caverns we find ingestion and emission, mother and daughter, sister and sister, black and white, lover and lover, surrealism’s erotic jolt: the irritant that makes the pearl. Seashells with apertures like cameras. The womb as oceanic. Lovers as moons. Holding as withholding. Day as night.

Like the coral of the Red Sea said to be formed by Medusa’s blood spilled upon seaweed, Teichmann’s work transforms one thing into another, sliding between autobiography, fiction and myth, still and moving image, sculpture and painting.

Immersive installations take the audience into an alternate orphic world, moving from beds to swamps and caves, in search of a primordial return. Here, the photographic is loosened from its referent, slipping in and out of darkness, cloaked in dripping inks, bathed in subtle hues, evoking a liquid space of night. Narratives of loss and desire are entangled like the glistening tentacles wrapped around the artist’s body.